The Great Movie and TV Loglines Contest
Contest Details And How To Win

Here are a few key suggestions and directions that might help you do better in this contest:

1.  Get help.  Learning to write great loglines is not just helpful in this contest.  It is the difference between catching the interest of a potential buyer or agent or losing the opportunity.  We have listed several helpful free resources below.

2. Register early rather than late.  If we receive too many registrations, we will cut off entries in order to complete the judging.
Yes, DO rewrite your logline and run it by people whose judgment you trust before you enter.  But then...

3. Consider entering a couple of versions of the same logline.  Yes, we do require a separate registration fee for each entry, but this contest is inexpensive, and you will receive separate feedback on each properly submitted logline.  

So for a little more than $10 each, you can get feedback from professional contest judges, on your different versions of your logline(s) and use the best.  That is potentially very valuable feedback!

 4. Read the prize list and the contest rules.  

You need to know the big and little details like what happens if the submission server gets overloaded at the deadline. (There is a plan and a rule, but that is also another reason to enter early.)

 5. If you are a "Master" screenwriter, why pay extra to enter?  Two reasons:
    – We will list “Master” logline winners first in the article in Creative Screenwriting Magazine and on this web site.
    – It is highly possible that as a master screenwriter, you can get a meeting, or even get multiple bidders because you have a finished screenplay.  So the dissemination of your winning logline is likely to be more valuable than for the other contest levels.

6. Why enter at all if you're a complete Newbie?
Three great reasons:
    – This contest puts you on almost equal footing with longtime professionals in terms of getting your script idea before the eyes of producers, agents, and managers.
    – It is possible that even as a complete amateur with no screenwriting experience, your story could be so compelling that you could get a meeting or meetings with producers.

    – Feedback.  Wouldn't you want to hear from a professional script judge that your idea is worth investing the time and effort to learn how to write a screenplay and complete the screenplay?   Equally important, many writers get their hopes up and spend a lot of time working on stories that simply have no market.  And among beginners, some need to hear, "It's not a story." Wouldn't you rather move on to a better story than waste months trying to write a bad one?

7. "What  if somebody steals my logline, or my entire story idea, after you publish the logline?"

Many loglines are similar and some are nearly identical.  It can't be helped because there are only so many plot lines, and you are writing no more than 250 characters.  So there are bound to be some closely similar loglines.

Regarding "stealing" your entire story from a logline: it can't be done unless your story is so simplistic or so dependent on one gimmick that it's naught but a cookie-cutter cookie.    Every writer would write a different story from the same story line.

In fact, see our own Cyberspace Open at http://cyberspaceopen.com. In that contest (also a very low entry fee, and running now), every entrant writes one scene from the same scene premise.  And what happens is that every scene comes out completely different from every other scene.  See for yourself -- Last Spring's winning scenes, and videotaped readings of them, are posted at that web site.   

It is who the characters are and how their inner natures drive the action that differentiates one story from another.

Bottom line: no one can steal a good story from your logline.

How To Write a GREAT Logline

Dream Up A Movie Logline* And Use This Contest
To Get It To Hollywood Producers And Agents

*What is a logline?"  It is a pithy, descriptive sentence or two – or it can be even less than a sentence – describing what a script is about and its unique qualities.

A great logline is not merely descriptive; it is enticing.

A logline is advertising for your script.  So, to borrow a phrase from advertising, it “sells the sizzle, not the steak.”

Here are some resources on loglines:
   
From our friends at the Writers’ Store:
http://www.writersstore.com/writing-loglines-that-sell

From the knows-all-about-everything-or-strives-to Wikipedia:
http://en.wikipedia.org/wiki/Log_line

From Christopher Riley, author of The Hollywood Standard:  The Complete and Authoritative Guide to Script Format and Style, and with his wife and co-writer Kathleen Riley, (both produced screenwriters):
http://www.scripthollywood.com/id30.html

From Scriptologist:


“”How does a logline help you sell your screenplay?


“When your screenplay is ready to sell, your query letter to agents, producers, and directors must contain a logline. Sometimes, they don't read past the logline. So, if you don't grab them with your logline, you won't have any chance of getting them to read your entire screenplay.

“If you speak to a producer, director, or agent, that person will ask you: "What is your script about?" You will have 30 seconds to describe the plot in a captivating way.”                                             — Scriptologist at http://www.scriptologist.com/Magazine/Tips/Logline/logline.html

Ted Pedersen at Ehow.com:

Ted Pedersen, who has had more than 150 of his teleplays and screenplays produced, offers these tips in the article, “How to Write a Great Logline for Your Screenplay” at eHow:

     “--Often loglines work better as a sales tool than screenplays do. Agents and producers look for easy outs when dealing with unproduced writers. Loglines provide less for them to say no to than a detailed synopsis or a complete script does. This can be a plus.
    “– Some writers simply summarize their movie--set-up, conflict and resolution. Don't limit yourself to the set-up or the plot, emphasize the unique elements of your script that enable audiences to connect with the situation and identify with the hero. Think of the logline as a commercial for your movie.”

Read more of his tips at:
http://www.ehow.com/how_2170716_write-great-logline-screenplay.html

Among those resources, and perhaps with a minimum of additional searching on your own, you will know everything you need to know about writing a great logline. 

So write– and submit your great loglines to this new, unique contest!

How To Enter;
Contest Dates And Deadlines

Contest Opens 11/20/2010

Contest Closes  01/15/2011

Winners listed by 03/01/2011


Top 50 Loglines Published: March- April Creative Screenwriting Issue

Enter the contest at any time before the entry deadline by clicking the "Register To Enter" button and completing the steps to receive your order number.   You need an order number for each logline.

Then, at any time before Midnight on the deadline date, enter your logline or loglines at the "Submit" link.  Enter as many times as you want.

 Contest judges will judge your entry and you will receive feedback after the contest  judging is completed.



The Prizes And The Rules:

 To learn more about the cash  prizes and the industry exposure your entry will receive if it makes the top 100, click the link below.  Also be sure you understand the contest rules on that same page:

How-To Details And Advice On Writing A Great Logline


A great logline, like a great screenplay, is part inspiration and part technique.  Click the link below to learn what experts say about how to write a great logline.
About The Contest Sponsor

creativescreenwriting.com

Creative Screenwriting Magazine is the most widely read and most respected magazine in the world covering movie and TV screenwriting.  Each issue is packed with advice to screenwriters on the craft and business of screenwriting, legal issues affecting screenwriters, and up-to-date information on the marketplace for your screenplays.  For more information or to subscribe,  click "read more: below.
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